Location: 30th Avenue Station
Title: Disappearing Act: For You
Artist: JoAnn Verburg
Material: Glass and silk-screened glass
Overlapping photographic images of trees on the wind screens in the middle of the platform.
This station site is in the middle of a business area, suggesting world trade and commerce. The windscreens, with their photographic images of oak trees on glass, are a blend of contemporary western industrial structures and images reminiscent of Chinese art. It is common in traditional Chinese art to have tree trunks with branches draping down to frame the landscape or characters that are the main subject. Oak trees were chosen because of the oak savannahs that were common along the nearby Mississippi River.
Tokuriki, Tomikichiro, The Cherry Blossoms of Mt. Shigi in Nara Prefecture
Oak Savannah
JoAnn Verburg is an American photographer who uses large format cameras to shoot life-size portraits, still lifes, and landscapes. Verburg’s images create narrative sequences that generate a state of prolonged experience; not a state of motion, but, rather, how we view images, as in mirroring the eye’s movement during the act of looking.
She made a name for herself in the late 1970s with “The Rephotographic Survey Project,” a collaborative exhibition and book that recreated more than 120 images of largely uninhabited Western landscapes in the 19th century. Using cameras, lenses and film that approximated the technology of their 19th-century predecessors, they waited for weather conditions that replicated the light in the original photographs, then rephotographed each place. The resulting then-and-now comparisons showed what the passage of time had done to those vistas. Surprisingly, what endured — the same trees, boulders and riverbeds — was often just as poignant as the changes to the landscape over time.
Verburg studied at Ohio Wesleyan University, earning her Bachelor’s of Arts in Sociology. She earned her Masters of Fine Art in Photography from the Rochester Institute of Photography, New York. Verburg moved to Minnesota in 1981 where she was an artist-in-residence at the Minneapolis College of Art and Design. She splits her time between St. Paul, Minnesota and Spoleto, Italy.
Sally and Ricardo, 1983
With Michael and John in Minnesota, 1983
As part of the original construction, Larson had designed a paver pattern for the 28th Avenue, Bloomington Central and Ft. Snelling Station platforms. The designs were installed, but unfortunately, the paver bricks did not hold up well with the severe Minnesota winters and the heavy foot traffic of a transit system. Artist Richard Elliott had also designed paver platforms for six additional stations. The only remaining platform paver design exists at American Boulevard Station.
Original paver design at 28th Avenue Station